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“A very current theme (harassment in schools or students) with "revenge" sauce for a lucid, hard-hitting and devious U.S. exploitation film. Dominate or be dominated? Human beings will always want to rule...Did you say sociological?...A 70's B series to discover urgently!” read more

“Among the first achievements of the cantor of the European Bis. And a real success of its kind. Sincere in its approach, effective in its story.” read more

“Noribumi Suzuki as a crazy purveyor of the hottest Japanese Bis. And the Amazon Reiko Ike as a fantasy muse. All fire all flames!” read more

“With a magnificent and exemplary sobriety, "Lamb" plays the card of suggestive and anxiety-provoking horror. Against current models. And that's good!” read more

“A schizoid, paranoid and "Argentesque" trip to the sexist hell of the sixties. Very musical too. In fact, on what foot are we dancing?” read more

“The ever bewitching Barbara Steele is the main adornment of this beautiful, not imperishable but beautifully packaged.” read more

“From fairly sluggish, even banal U.S. exploitation barely saved by the presence of William Smith, a prominent supporting role in the 70s.” read more

“Pupillo is not Bava. Between assumed grotesque and cult scenes, the gothic decorations and the superb "Virgins" (sic) carry the piece.” read more

“A giallo stamped 80's frankly atypical. An unsuspected success of its kind. Yellow will always be in order. And some great beauties too.” read more

“Al Adamson, cantor of American Bis, plays it like Ed Wood. Warning : that's a big and chaotic nanar !” read more

“Against all odds, a film that avoids overbidding and mediocrity by hitting the right spot despite a subject that is too hackneyed these days.” read more

“A success of the Asian Bis of the 70's which would have deserved to gain in ferocity. A good ladle of eroticism would have been welcome...too.” read more

“Inevitably a bit stupid but obviously very pleasing. It distracts and fills the boredom. It's already that, isn't it? And then there's the beautiful Jessica Henwick...” read more

“Above all, you must not be too difficult in front of this kind and well-paced vampire movie. It's on Netflix too, huh?...” read more

“Strange cinematographic object that this quirky film which wants to be subversive but remains rather abstruse in spite of a stylized staging.” read more

“A stunning masterfully staged "huis-clos". To be seen imperatively in the light of the sad current context. It's almost frightening.” read more

“The Sabbath replaces Polanski's ball but is remade into an unfunny vampiric substitute where the ridiculous supplants the parodic. Ferdy Mayne is back but more for the worse than for the laughter. That said, Pia Degermark is very very pretty...” read more