Reviews by cinemanbis

An honest and honorable slasher but a little has-been (we quickly guess the identity of the killer...). Worth especially for the refreshing presence of the beautiful Rachel Ward, one of my favorite darlings of the eighties.

When the ultra-violence of South Korean thrillers is combined with transgender gentleness and feminized virility, the result is an incandescent and unique film. Like its main character.

No one can hear you scream underwater. Our "Frenchies" have understood this very well: all to the shelters...on the ground!

Jess Franco or the cantor of bis, vice and sapphism. When Satan and the nuns start a farandole, everyone dances...

Resolutely atypical than this film by Wong Kar-Wai. We are entitled to kick in touch, as the aesthetic overload and the over-dialogued story prevent a real hook. That said, the presence of the sublime Maggie Cheung and Brigitte Lin would almost make you forget the ambient languor...

Post-apo S-F a little too referential and quite conventional but nevertheless pleasant to follow. The pretty face of Chloë Grace Moretz does the rest.

Small fantastic German B series without pretension and not too badly packaged although very forgettable. The superb body of Pamela Prati carries the piece.

A real pleasant surprise. Excellent cast and hard-hitting satirical remarks that make up for the somewhat "enormous" aspect of the project.

An extraordinary pinku eiga coupled with a neuron-ravaged psycho-killer. Sulphurous, hallucinated and immoral as hell. The more crazy you die!

A masterful slap inflicted on American history. Or when the arrogance and helplessness of the neurotic White Man is matched only by the virility and humanity of the oppressed Black Man. Rarely have we seen a more virulent charge. Richard Fleisher's masterpiece is an authentic transgressive miracle. And the Oscar for best film goes to ...ah well no!...I'm dreaming...And the Oscar for best actress for Susan George! Yes, in my dreams too!