Branded to Kill review

Crazy, crazy, offbeat, erotic thriller with a disarming singularity. All Suzuki's subversive and grating cinema.

The Housemaid (1960) review

When the family unit explodes thanks to a sulfurous mรฉnage ร trois, self-destruction sets in motion. Devilishly yours.

The Seducers (1977) review

Duo of incredible actresses for this sulphurous, hard-hitting and very gripping film. Go back to the 70's and avoid the Eli Roth remake.

Silent Night, Deadly Night review

Specifications 100% fulfilled for this excellent 80's slasher. Square, rare (or medium) and without embellishment. Yes, Santa Claus is scary!

Youth of the Beast review

A real discovery in this scathing, exhilarating and jazzy Japanese thriller that is unlike any other. In the East, always something new.

Piggy review

Finally, some atypical, offbeat and impactful cinema. Disturbing and bloated. An authentic little shock on the sidelines of current production.

I Am All Girls review

Punchy thriller on a subject that borders on horror, namely international child trafficking. Sometimes harsh staging which serves a story without downtime. Little black diamond to discover.

Angel Terminators II review

Pure (not so) guilty pleasure in this gem of 90's action cinema made in HK. Funny and endearing characters and above all martial arts fights choreographed with genius. Uninhibited Asian B series and blows of a shoe in your face!

Our Lady of Lust review

Religious faith and carnal vice clash in this little-known pearl of the Italian B Movie. Sultry story as you wish, careful production, actresses in tune. Rare and unmissable

The Werewolf vs. the Vampire Woman (aka Werewolf Shadow) review

Werewolves, vampires and beautiful damsels go hand in hand in this model of Spanish B Movie led by Master Klimovsky and the brilliant Paul Naschy. Great!
